One of my all-time favorite bands.
Saw them at UCLA in February 1979 at the beginning of the punk explosion, when punk was truly cutting edge. The Talking Heads were the shit then. No one had heard of them, and anyone who had was hip.
They did “Psycho Killer” and it brought down the house, except it was outdoors.
There were UCLA students in the crowd. Some sat behind us. Guys who looked stoned and were already feminized and pacified, warm, floppy shells of men, though feminism was hardly even born yet, but they were students, and college will turn the best of men to school pusses.
The women were sort of masculine, as they must be when the males are feminized, otherwise you have a half-filled whole, and nature abhors a vacuum. To complete the circle, the female must become masculine to the very degree that the male has become feminine.
A guy named Lao Tzu figured this out 2000 years before, but even he was too late. It’s so obvious. It’s the way of the circle. A half is never whole. The male and the female are each halves, broken humans. Only through linkage can we fill in the colors and make the circle whole to set the wheel spinning so the cycle can go on. A male is empty without a female, and vice versa. Joined, each is made whole and the emptiness is filled in again.
Heard this in a coffee shop the other day, Starfucks. Well, at least they play good music.
The guys working there were feminized, as they always are in such places. The chicks dig the feminized guys, but the probably never fuck them, the danger necessary for sex that the female requires being lacking. Once again, an unfilled whole. Feminine plus feminine doesn’t fill in the circle with the Number 2 pencil. It just makes a half moon.
I was listening to the song. I was sure I’d heard it before. Some guy my age was in there bobbing his head, along with his daughter. She couldn’t have been much more than 13 or 14, but she was looking at me in that way, half hate, half stare can’t stop, so I knew she was a woman-in-girl, true girls having no sexual world. The guy was a square, but he was bobbing his head. I was moving to where the sound was coming from, where they lurked. We were all bobbing our heads to the music, but no one said a word.
I thought it was Talking Heads, but I wasn’t sure.
Googled it and there it was. 1985, a bad year, but there was lots of sex and tons of drugs, so really, no matter how fucked of a year it was, the palliatives always alchemize it somehow golden, which is all you can do to a shitty year. 1985, in three years David Byrne’s band would break up, true genius being a flash in the pan of youth, as Weininger notes.
The real geniuses are always young, and the greatest bands flash and burn Roman candle-like and smash to bits pretty quick, the Super Collider Reactor of multiple geniuses being too much for the temporal universe of flesh and blood, so they go out in fire not ice, but they are kind enough to leave us the greatness flashes, like those human images burned into walls after Hiroshima, daguerreotypes of genius before they go.
We’re on the road to nowhere, says the song. Well sure we are.
David Byrne says its meaningless and silly, the song.
Like Hell it is. Bout as vapid as the trails of life. Where do they lead? To the bones, or increasingly, the urn and if you’re lucky, a hole in a rock.
We’re on the road to nowhere.
Where are we headed? To nowhere, to death, to a personal Black Hole sucking away whole universes in a pinpoint, at Warp Speed, faster than light.
Well, of course.
Meaningless, my ass, David.
What’s left to do? All there is to do is dance. Get up and dance to the music, fools. For too soon we drop our last.